Jump to content

Cultural studies

From Wikipedia, the free encyclopedia
(Redirected from Cultural theory)

Cultural studies is an academic field that explores the dynamics of contemporary culture (including the politics of popular culture) and its social and historical foundations.[1] [2]

British cultural studies

[edit]

Dennis Dworkin writes that "a critical moment" in the beginning of cultural studies as a field was when Richard Hoggart used the term in 1964 in founding the Centre for Contemporary Cultural Studies (CCCS) at the University of Birmingham.[3] The centre would become home to the development of the intellectual orientation that has become known internationally as the "Birmingham School" of cultural studies,[3][4] thus becoming the world's first institutional home of cultural studies.[5]

Hoggart appointed as his assistant Stuart Hall, who would effectively be directing CCCS by 1968.[6] Hall formally assumed the directorship of CCCS in 1971, when Hoggart left Birmingham to become Assistant Director-General of UNESCO.[7]

In 2016, Duke University Press launched a new series of Stuart Hall's collected writings, many of which detail his major and decisive contributions toward the establishment of the field of cultural studies.[8] In 2023, a new Stuart Hall Archive Project was launched at the University of Birmingham to commemorate Hall's contributions in pioneering the field of cultural studies at CCCS.[9]

Stuart Hall's cultural Studies

[edit]

Hall's cultural studies explores culture as a system that affects individuals' identities through the meanings and practices that arise from the constant power dynamics that comprise culture.[10] Hall viewed culture as a "critical site of social action and intervention, where power relations are both established and potentially unsettled."[11] He perceived culture as a power dynamic, in which the media unintentionally possesses more control over ideology than the public.[12] Hall viewed the media as a source of preserving the status quo of a reflection that already exists in society. The media hegemony in question, he emphasized, "is not a conscious plot or conspiracy, it’s not overtly coercive, and its effects are not total."[13] Compared to other thinkers on this subject, he studied and analyzed symbols, ideologies, signs, and other representations within cultural studies.[14] Most of his contributions occurred in the 1980s, where he looked at how media cultivates cultural power, how it is consumed, mediated and negotiated, etc.[15] Hall has also been accredited with the expansion of cultural studies through “the primacy of culture’s role as an educational site where identities are being continually transformed, power is enacted, and learning assumes a political dynamic.”[16] He viewed politics as being used mainly for power instead of the betterment of society.[17] This led to the belief that political dynamics could change with a reform in the education system (if one changes the education system, then one can change the culture).[17] Hall viewed culture as something that is institutionalized, which could only be studied through the interactional patterns that people within a culture exhibit and experience.[18] Culture is something that makes up society, is a learned trait, and is influenced by various forms of media that help to establish it.[19] Power is the underlying tone of Hall’s cultural studies.[20] Hall believed that culture has some power, but the media's use of it is what sways and dictates culture itself.[21]

Developments outside the UK

[edit]

In Germany, the term cultural studies specifically refers to the field in the Anglosphere, especially British Cultural Studies,[22] to differentiate it from the German Kulturwissenschaft which developed along different lines and is characterized by its distance from political science. However, Kulturwissenschaft and cultural studies are often used interchangeably, particularly by lay people.

Throughout Asia, cultural studies have boomed and thrived. In India, the Centre for Study of Culture and Society, Bangalore and the Department of Cultural Studies at The English and Foreign Languages and the University of Hyderabad are two major institutional spaces for Cultural Studies.

Issues, concepts, and approaches

[edit]

Marxism has been an important influence upon cultural studies. Those associated with CCCS initially engaged deeply with the structuralism of Louis Althusser, and later in the 1970s turned decisively toward Antonio Gramsci. Cultural studies has also embraced the examination of race, gender, and other aspects of identity, as is illustrated, for example, by a number of key books published collectively under the name of CCCS in the late 1970s and early 1980s, including Women Take Issue: Aspects of Women's Subordination (1978), and The Empire Strikes Back: Race and Racism in 70s Britain (1982).

Globalization

[edit]

In recent decades, as capitalism has spread throughout the world via contemporary forms of globalization, cultural studies has generated important analyses of local sites and practices of negotiation with and resistance to Western hegemony.[23]

Cultural consumption

[edit]

Cultural studies criticizes the traditional view of the passive consumer, particularly by underlining the different ways people read, receive and interpret cultural texts, or appropriate other kinds of cultural products, or otherwise participate in the production and circulation of meanings. On this view, a consumer can appropriate, actively rework, or challenge the meanings circulated through cultural texts. In some of its variants, cultural studies has shifted the analytical focus from traditional understandings of production to consumption – viewed as a form of production (of meanings, of identities, etc.) in its own right. Stuart Hall, John Fiske, and others have been influential in these developments.

The concept of "text"

[edit]

A conception of textuality derives especially from the work of the pioneering and influential semiotician, Roland Barthes, but also owes debts to other sources, such as Juri Lotman and his colleagues from Tartu–Moscow School. Similarly, the field widens the concept of culture. Cultural studies approach the sites and spaces of everyday life, such as pubs, living rooms, gardens, and beaches, as "texts."[24]

Culture, in this context, includes not only high culture,[25] but also everyday meanings and practices, a central focus of cultural studies.

Jeff Lewis summarized much of the work on textuality and textual analysis in his cultural studies textbook and a post-9/11 monograph on media and terrorism.[26][27] According to Lewis, textual studies use complex and difficult heuristic methods and require both powerful interpretive skills and a subtle conception of politics and contexts. The task of the cultural analyst, for Lewis, is to engage with both knowledge systems and texts and observe and analyze the ways the two interact with one another.

[edit]

The integration of popular culture in classrooms has influenced educational practices in Cultural Studies. Through the analysis of TV series, movies, memes, and other cultural materials, educators can encourage media literacy, critical thinking, and a deeper understanding of social issues. Popular culture can be an effective tool for critical pedagogy. Evan Faidley explores how TV shows, movies, and memes can be used in the classroom to discuss topics like social justice and identity.[28] Shows like South Park allow students to evaluate societal norms and political issues, using a pedagogy of resistance[29] (Stevens). Cultural studies encourage students to analyze intertextuality. Patricia Duff discusses how popular culture incorporates with academic discourse to build media literacy which helps students critically engage with the media they consume daily.[30] Kathy Mills also highlights the importance of multiliteracies, which encourages students to utilize a variety of communication media outside of the standard text, including digital and visual media.[31] Diane Penrod argues that incorporating popular culture in education makes learning more relevant and engaging. Teachers can aid students in comprehending difficult concepts like gender, ethnicity, and class by utilizing works from their own culture. Students are also encouraged to develop critical analytical abilities which they can use in both academic and everyday situations when popular culture is integrated into the classroom.[32] Incorporating popular culture into education through cultural studies helps students critically engage with the world around them, fostering media literacy and critical thinking. Educators can use cultural texts to discuss societal issues, challenge norms, and prepare students for active participation in a media-dominated world.

English departments also host cultural rhetorics scholars. This academic field defines cultural rhetorics as "the study and practice of making meaning and knowledge with the belief that all cultures are rhetorical and all rhetorics are cultural."[33] Cultural rhetorics scholars are interested in investigating topics like climate change,[34] autism,[35] Asian American rhetoric,[36] and more.

Many sociologists,[who?] however, would argue, following Hall, that cultural studies have always sought to avoid the establishment of a fixed research agenda; this follows from its critique of disciplinarity. Moreover, Hall and many others have long argued against the misunderstanding that textual analysis is the sole methodology of cultural studies, and have practiced numerous other approaches, as noted above. Rojek and Turner also level the accusation that there is "a sense of moral superiority about the correctness of the political views articulated" in cultural studies.[37]

Founding works

[edit]

Hall and others have identified some core originating texts, or the original "curricula," of the field of cultural studies:

See also

[edit]

References

[edit]
  1. ^ See Lawrence Grossberg, Cary Nelson, and Paula A. Treichler (eds.), Cultural Studies. New York: Routledge, 1992. Also see Simon During (ed.), The Cultural Studies Reader, 3rd Ed. New York: Routledge, 2007.
  2. ^ "cultural studies | interdisciplinary field". Encyclopædia Britannica. Archived from the original on 1 August 2017. Retrieved 28 June 2017.
  3. ^ a b Dworkin, Dennis (1997). Cultural Marxism in Post-War Britain: History, the New Left, and the Origins of Cultural Studies. Durham: Duke University Press. p. 116.
  4. ^ see also: Corner, John (1991). "Postscript: Studying Culture—Reflections and Assessment: An Interview with Richard Hoggart". Media, Culture & Society. 13 (2). doi:10.1177/016344391013002002.
  5. ^ "About the Birmingham CCCS – University of Birmingham". birmingham.ac.uk. Archived from the original on 2 June 2017. Retrieved 14 June 2017.
  6. ^ Davies, Ioan (1991). "British Cultural Marxism". International Journal of Politics, Culture, and Society. 4 (3): 323–344. doi:10.1007/BF01386507. S2CID 143846218.
  7. ^ Hoggart, Richard. 2011. An Idea and Its Servants: UNESCO from Within. Newark, NJ: Transaction Publishers.
  8. ^ See the Duke University Press Stuart Hall: Selected Writings webpage (below in External Links)
  9. ^ See the Stuart Hall Archive Project webpage (below in External Links)
  10. ^ Griffin, E. A., Ledbetter, A., & Sparks, G. G. (2023). Cultural Studies of Stuart Hall. A First Look at Communication Theory (11th ed.,  pp. 451-462). McGraw Hill.
  11. ^ Procter, James (2004). Stuart Hall. London: Routledge. ISBN 9781134504251.
  12. ^ Wood, Brennon (1998). "Stuart Hall's Cultural Studies and the Problem of Hegemony". The British Journal of Sociology. 49 (3): 399–414. doi:10.2307/591390. JSTOR 591390.
  13. ^ Procter, James (2004). ISBN 9781134504251.
  14. ^ Miller, Toby (15 April 2008). A Companion to Cultural Studies. John Wiley & Sons. ISBN 978-0-470-99879-3.
  15. ^ Holt, Jennifer; Perren, Alisa (19 September 2011). Media Industries: History, Theory, and Method. John Wiley & Sons. ISBN 978-1-4443-6023-3.
  16. ^ Giroux, Henry A. (2004). "Cultural studies, public pedagogy, and the responsibility of intellectuals". Communication and Critical/Cultural Studies. 1: 59–79. doi:10.1080/1479142042000180926.
  17. ^ a b Giroux, H. A. (2004). p. 59–79.
  18. ^ Hall 1980b.
  19. ^ Hall, G., & Birchall, C. (2006). New Cultural Studies: Adventures in Theory (1st ed.). Edinburgh University Press.
  20. ^ Hall, G., & Birchall, C. (2006). New Cultural Studies: Adventures in Theory (1st ed.). Edinburgh University Press.
  21. ^ Goggin, G. (2016). Media and Power After Stuart Hall. Cultural Studies Review, 22(1), p. 277.
  22. ^ Ahrens, Johannes; Beer, Raphael; Bittlingmayer, Uwe H.; Gerdes, Jürgen (10 February 2011). Normativität: Über die Hintergründe sozialwissenschaftlicher Theoriebildung [Normativity: On the background of social science theory formation] (in German). Springer-Verlag. ISBN 9783531930107. Archived from the original on 30 June 2023. Retrieved 2 October 2020.
  23. ^ Appadurai, Arjun (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
  24. ^ Fiske, Hodge and Turner (1987). Myths of Oz: Reading Australian Popular Culture. Allen & Unwin: Boston.
  25. ^ Bakhtin, Mikhail (1981). The Dialogic Imagination. Austin, Texas: University of Texas Press. p. 4.
  26. ^ Lewis, Jeff. 2008. Cultural Studies. London: SAGE.
  27. ^ Lewis, Jeff. 2005. Language Wars: The Role of Media and Culture in Global Terror and Political Violence. London: Pluto Press.
  28. ^ Faidley, Evan W. """Movies, TV Shows, and Memes... Oh My!" : An Honors Education through Popular Culture and Critical Pedagogy"". National Collegiate Honors Council.
  29. ^ Stevens, Lisa Patel (2001). """South Park" and Society: Instructional and Curricular Implications of Popular Culture in the Classroom"". Journal of Adolescent & Adult Literacy. 44 (6): 548–555. JSTOR 40013566.
  30. ^ Duff, Patricia A. (2003). "Intertextuality and Hybrid Discourses: The Infusion of Pop Culture in Educational Discourse.". Linguistics and Education. pp. 231–276.
  31. ^ Mills, Kathy A. (2009). ""Multiliteracies: Interrogating Competing Discourses."" (PDF). Language and Education. 23 (2): 103–116. doi:10.1080/09500780802152762.
  32. ^ Penrod, Diane. Miss Grundy doesn't teach here anymore: Popular culture and the composition classroom. Heinemann Educational Books.
  33. ^ "Cultural Rhetorics Consortium". Archived from the original on 24 September 2021. Retrieved 13 September 2021.
  34. ^ "Introduction: Rhetorics and Literacies of Climate Change | enculturation". enculturation.net. Archived from the original on 12 October 2021. Retrieved 13 September 2021.
  35. ^ "I Am #ActuallyAutistic, Hear Me Tweet: The Autist-Topoi of Autistic Activists on Twitter | enculturation". enculturation.net. Archived from the original on 13 September 2021. Retrieved 13 September 2021.
  36. ^ "Beyond Representation: Spatial, Temporal and Embodied Trans/Formations of Asian/Asian American Rhetoric | enculturation". enculturation.net. Archived from the original on 13 September 2021. Retrieved 13 September 2021.
  37. ^ Rojek, Chris; Turner, Bryan (2000). "Decorative sociology: towards a critique of the cultural turn". The Sociological Review. 48 (4): 629–648. doi:10.1111/1467-954X.00236.
  38. ^ Hall 1980

Sources

[edit]
[edit]